Latest Articles
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Performing Gender and Defying Norms: Postmodern Feminism in Baz Luhrmann’s Red Curtain Trilogy
Photo by Markus Winkler on Unsplash Baz Luhrmann’s Red Curtain Trilogy—Strictly Ballroom (1992), Romeo + Juliet (1996), and Moulin Rouge! (2001)—is an explosion of color, drama, and defiance. Beneath the glitter and spectacle lies something far more radical: a cinematic interrogation of gender, power, and performance. Each film takes a wrecking ball to societal expectations,…
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Come What May: Gender, Camp, and Queerness in Moulin Rouge!
Baz Luhrmann’s Moulin Rouge! (2001) completes his vibrant Red Curtain Trilogy, following Strictly Ballroom (1992) and Romeo + Juliet (1996). Where Strictly Ballroom embraced dance as its theatrical motif and Romeo + Juliet used heightened Shakespearean language, Moulin Rouge! explodes with music—specifically, the jukebox musical. A pastiche of glamor, melodrama, and spectacle, Moulin Rouge! leans…
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Masks and Masculinity: Gender’s Role in Baz Luhrmann’s Romeo + Juliet
Baz Luhrmann’s Romeo + Juliet (1996), the second film in his Red Curtain Trilogy, takes Shakespeare’s classic tragedy and throws it into the neon-lit chaos of modern-day Verona Beach. A dazzling blend of high drama, Catholic symbolism, Miami-inspired aesthetics, and MTV-era visuals, Luhrmann’s adaptation retains Shakespeare’s original language while reimagining the feud between the Capulets…